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SkankyMojo
Dissolver of Boundaries, Producer of Music, One Half of @DickSock 🤤
AKA: Akio Dāku

Bo Marcus @SkankyMojo

Age 34

Producer, Songwriter

Solitude Bards College

Lancashire U.K.

Joined on 6/30/20

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Comments

I used to. But I decided awhile back, that I'm doing the music I want to do. Everything I write is to either help me process something or tell a story. Of course I hope others will like it and am open to criticism (I feel that's the only way to improve), but when it comes to 'well I would do it this way, not the way you did it', I look at this way:

I'm grateful enough they cared enough to not only listen to my song, but really took it in enough to think of other ways to write it.

I personally don't think you should ever sacrifice your creative expression for the sake of publicity. I would suggest building off your own style that you already like and find ways to reach the audience that will appreciate your work the way you intended it.

I hope this helps!

Thank you for that, that's genuinely helped.

Ouch, that's a tough one. In not attempting to deny the results of your empirical research, I'm thinking rather if it i a case of finding your audience? I mean, like, I am not really your target audience, as your bass magic is a tad too eclectic for my simple tastes, whereas when I played your stuff for my ex a few years back she was all in, comparing it to Red hot Chili Peppers and I could 4 sure notice she for a moment pictured shagging a sexy singer/bass-player.

With running the risk of being an arrogant snob, I think I've made an observation regarding the audience on this here site, which is that they're probably averaging a somewhat younger age.
I am making this assumption based on at what level a majority of productions are at, like, even if they're rather good, I can hear that it is a product of someone who has been at it only for a few years. There is a typical beginners structure with not so much detail, attention to detail etc.
Yet, when I made a comparison of my own latest trance track, and a few others in the same popularity range, tracks that are far lesser in originality and overall substance are at least equally but often more popular than my production.
I am quite certain that this comes down to the makeup of the audience, and this is where my snobbery comes in: Appreciation for my stuff require a slightly more refined trance palate than what most young folk have (myself included, I would have made the same scoring 20 years ago as the crowd on the site). They masses in general like pop music, that's why it is popular.
Easily digestible etc.
Now this of course could be argued by someone who's actually just bemoaning being a misunderstood genius, all the while being a fucktard of an artist.

That being said, as an artist, I feel, a huge part is to make something that is a true expression of one´s vision, the extra dimensional communication ontop of verbal language and so on. However, at least I, am driven by adding to the world something nice and with that it has to on some level have availability to people, and I might have to make lil compromises in the production as to tickle fancies of any part of the masses.

Would it be possible you think that you can find a way to maintain your artistic integrity while, merely a smidgen, cater a little to the tastes of the masses? Like, hitting the golden line between artistic integrity and crowd pleasing?

Cheers Kriss, that's really insightful. Honestly it's something I'm really conflicted by, confused with and maybe there's a bit of self sabotage there too? I think I need to unpack a lot of shit, cos this is a repeated thing throughout my music endeavours. When I produce to breif for someone else it's different, I can do what needs to be done. With my own shit it feels like I'm betraying myself. But I acknowledge that in my personal life I find being relatable/understandable to others very difficult. So I've definitely got an underlying complex there that's bleeding through. Also not read your message yet, but I'll get back you to before the end of the day. X

@FarFromSundown This reminds me of my experiences with getting better productions out. I was in a Discord with highly advanced psytrance producers where tips and tricks where shared and so on. While I did get some highly valuable input on how to make my stuff sound better, at some point it also started to turn more and more boring. Sure, technically decent, but artistically boring.
Of course, this needn't be the case, and my challenge in this regard is to familiarize myself enough with the techniques as to be able to incorporate them into my expression. But, that being said, it is a bit like when playing chess and helpful on-lookers want to give advice on good moves, after a while it just turns into a confused mess when adjusting to and playing solely to the tune of other people's opinions.

@AkioDaku If I read between the lines accurately, I'm def guilty of trying to impress with attempting to be complicated which, if I don't catch myself, is only gonna appease the crowd of myself while on acid.
Just spitballing, perhaps there is some level of ego at play, compensating for whatever or thirsting for recognition? There is perhaps a fine line between artistic genius and rebellious "fuck you I won't do what you tell me" attitude where I think the former would be able to maintain style, while tickling the right spots of an audience.
Ahh... fuck do I know?
I've tried to do very plain straight forward crowd pleasing music, but just can't get it done.
Hah, Imma give myself a challenge: make a pop-trance track. Haha. Oh, I hate it already.